Mastering Pyrography on Paper


About Me

I’m a self-taught pyrography artist, living in Dittmer, Missouri with my wife, April. We have six children, and four grandchildren. I grew up in House Springs, MO. along with my parents and six sisters. I attended Our Lady Queen of Peace grade school, Northwest High school, and Jefferson College.

People of Influence

My family and friends have always provided me with a strong supportive base, along with a couple of wonderful art teachers.

Man sitting at a wooden table, burning a nature scene with trees and wildlife, surrounded by framed artwork and supplies in an art gallery or exhibit
A man with short hair wearing sunglasses, a black t-shirt, and gray shorts standing in tall grass and holding a camera.

Why do I create Art?

I enjoy the challenge of trying to portray a subject in such a way that transforms the viewer into a story that I am sharing with them.

Why my Art?

As an artist, I use a unique medium: Pyrography on Paper! Pyrography or wood burning, uses heat and burn marks to create art. It is very time consuming and much less forgiving than most medias. I also use a unique style, often referred to as detail and realism. I do my best to pay close attention to detail to capture a level of realism in sepia -like tones.

Birds drew my attention….

A man in camouflage clothing holding a Virgina Rail bird outdoors on a sunny day, with a camera hanging around his neck.
A man in camouflage clothing holding a Virgina Rail bird outdoors on a sunny day, with a camera hanging around his neck.

so, I started drawing birds!

As a kid, my parents helped me to create a “bird sanctuary” outside my bedroom window. Not satisfied with simply watching birds from the feeders, I would open my window and place bird seed on my art desk. It didn’t take long and birds were landing there, allowing me to study and draw them just inches away. They now had my complete attention. I didn’t just “see” a bird in front of me. I could now see the stiff tail feathers, with the shafts splitting each feather to equal parts. The wings, too, contained rigid feathers, but the shafts were off-centered. I could now see the softer contour feathers covering its body. Even the softest down feathers were occasionally seen as the bird preened or fluffed up a bit. I also quickly noticed personality and expression in individual birds. By taking the time to look at the intricate details, aspects of my life were changed. This is what I strive to achieve in my art.

A man with short dark hair and a beard holding an American Kestrel bird on his finger.
A man with short dark hair and a beard holding an American Kestrel bird on his finger.
A man wearing sunglasses and a red shirt holding a hawk outdoors with green trees in the background.
A man wearing sunglasses and a red shirt holding a hawk outdoors with green trees in the background.
James Bolte with Painted Bunting
James Bolte with Painted Bunting

ORGANIZATIONS

The logo of the Best of Missouri Hands, with website www.bestofmissourihands.org, and the words 'Juried Artist' below.

Best of Missouri Hands

Logo for Mid-Missouri Fine Art Society, featuring stylized M and F letters, surrounded by colorful dots in red, yellow, blue, and black.

Mid-Missouri Fine Arts

Blue sign with white outline of a skyline and the words 'GREATER ST. LOUIS' and 'ARTISTS' written on it. Below, a white section reads 'JURIED MEMBER' in blue letters.

Greater St. Louis Artist Guild

Logo for Jefferson County Art Guild with paintbrush strokes in yellow, orange, and pink.

Jefferson County Artist Guild